BEHIND THE FRAME | Fay Archive: "In Japan" – FW24 Campaign


Fay Archive: "In Japan" – FW24 Campaign

Hi Reader,

A few months ago, I shared some photos from my trip to Japan. Two intense weeks spent between the wild landscapes of Hokkaido and the chaos of Tokyo.
​

More than just a work trip, it was an encounter with five incredible people, each with a unique story. They are the faces of the new Fay Archive FW24 campaign.

I had the chance to closely follow their lives: from the silent mountains to workshops overlooking the frozen sea, to the crowded city streets.

With the videos, I aimed to capture fragments of reality, authentic moments. We used only natural light and ambient sounds, with no filters. We wanted everything to feel as real as possible, because it’s the imperfections that make the story honest. The people we met welcomed us with great openness, enriching every moment of the campaign.

You’ll be among the first to see the videos in preview, and I’d love to hear your feedback!

Talk soon,
Marco

​
​

P.S. I’m also excited to share that I'm in the final stages of preparing for FOREVER HIC, the short film I’ll be shooting in a few weeks. If you’re interested in supporting the crowdfunding campaign, now is a great time to get involved!


BEHIND THE FRAME is a monthly newsletter that focuses on aspects

at the intersection of cinema, advertising and communication seen through the lens

of my experience and approach as a director.
​

​
Marco Mucig | Director
​www.marcomucig.com​
+39 333 2932950
​
​Unsubscribe​

Hi, I’m a creator

Read more from Hi, I’m a creator

(IM)PERFECT In 2026, even imperfection can be generated. A prompt is enough for an algorithm to give you film grain, a torn photo edge, a carefully engineered flaw. When Police asked me to work on imperfection, the real question wasn't how to represent it, but how to make it credible in a moment when even the flaw has stopped being a risk. What does it mean to be perfect in 2026? And what does it mean to embrace your own diversity? Not the aspirational perfection of glossy fashion, not...

A counter-guide to leadership Carlo Cresto-Dina is one of the most important producers in Italian cinema. I met him in Turin for a conversation for the column I curate for Perimetro, exploring independent and auteur cinema. In 2009 he founded Tempesta, the production company through which he built one of the most recognizable catalogues in European auteur cinema. He has produced all of Alice Rohrwacher's films, from Corpo Celeste to Le meraviglie, from Happy as Lazzaro to La Chimera. This...

Making films is an act of faith Hello Reader,last January 2025 I was in Trieste for When East Meets West, one of the most important co-production forums in Europe. There I met Andrea Magnani of Pilgrim Film, and from that informal conversation a collaboration was born. I had a story in mind for a short film and turned it into a screenplay: a father and a daughter, the same summer road trip every year to Friuli. A distraction at the gas station, petrol instead of diesel, and they find...