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Why I'd only shoot on film (or with an iPhone) Every executive producer would hate me. Higher costs, higher risks, zero guarantees. And yet today, if I had to choose, I'd only shoot on film. Not for nostalgia. Not for the look. Not to play the vintage filmmaker. Film brings imperfection. It brings the unexpected. It forces you to limit your takes, to know what you want before you turn the camera on. It demands a clear, strong vision, because you can't afford to be vague. At a time when...
I met Virgilio Villoresi in Milan. We spent two hours talking about stop motion, 16mm film, optical effects. About making handmade cinema in a world racing towards AI. He's the latest filmmaker I interviewed for Cinema Club, my column for Perimetro exploring independent, auteur cinema. It's my way of building a network of people to exchange ideas with and grow as an author. Over the past year and a half, I've spoken with Carlo Sironi, Tommaso Santambrogio, Giacomo Abbruzzese, Beniamino...
Hi Reader a few months ago I discovered I was adopted, so a few weeks ago I went to Berlin to meet my real parents. Just kidding :) I was in Berlin to attend a workshop and I discovered something enlightening while working on the screenplay for Anno Zero. Solace 23 is a workshop led by Franz Rodenkirchen and Françoise von Roy. For three days I sat in a circle around a large table with them and five other filmmakers from around the world — Malaysia, Brazil, the Netherlands — and we shared our...