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BEHIND THE FRAME | Why I'd only shoot on film (or with an iPhone)

Why I'd only shoot on film (or with an iPhone) Every executive producer would hate me. Higher costs, higher risks, zero guarantees. And yet today, if I had to choose, I'd only shoot on film. Not for nostalgia. Not for the look. Not to play the vintage filmmaker. Film brings imperfection. It brings the unexpected. It forces you to limit your takes, to know what you want before you turn the camera on. It demands a clear, strong vision, because you can't afford to be vague. At a time when...

One Battle After Another "One battle after another" — I kept telling myself this throughout the year as a reminder: this work has never been easy. It's always been a battle. Creative work is changing shape. At a time when everyone's looking for ways to stand out, bringing narrative depth to a brand brief makes the difference in a complex, saturated landscape. So I stopped waiting for the phone to ring to shoot. I structured something I was already doing informally: working with brands and...

I met Virgilio Villoresi in Milan. We spent two hours talking about stop motion, 16mm film, optical effects. About making handmade cinema in a world racing towards AI. He's the latest filmmaker I interviewed for Cinema Club, my column for Perimetro exploring independent, auteur cinema. It's my way of building a network of people to exchange ideas with and grow as an author. Over the past year and a half, I've spoken with Carlo Sironi, Tommaso Santambrogio, Giacomo Abbruzzese, Beniamino...

Hi Reader a few months ago I discovered I was adopted, so a few weeks ago I went to Berlin to meet my real parents. Just kidding :) I was in Berlin to attend a workshop and I discovered something enlightening while working on the screenplay for Anno Zero. Solace 23 is a workshop led by Franz Rodenkirchen and Françoise von Roy. For three days I sat in a circle around a large table with them and five other filmmakers from around the world — Malaysia, Brazil, the Netherlands — and we shared our...

AIDA now streaming After 18 months of work, AIDA—the documentary I wrote and directed—has just launched on RaiPlay, Italy's national streaming platform. I spent a year following a group of young researchers at Politecnico di Milano as they developed autonomous vehicles. It's been a long and intense journey, but seeing the story of AIDA arrive on RaiPlay is a great satisfaction. You can watch the trailer here. 55 minutes capturing the tests the challenges, and a vision that could change how we...

From Hamlet to Neon Lights What happens when Shakespeare's most famous line meets a skull-shaped perfume bottle? A client asked me to take 'To be or not to be?' and gave it a Gen Z makeover for POLICE. Pretentious? Maybe. Blasphemy? Possibly both. In a world that forces us to choose between being authentic and being accepted, we chose to question the question itself. From existential doubt to empowered choice. The eternal question becomes 'WHO to be?' From Hamlet's castle to neon lights. The...

July. Milan empties out, train stations fill up, airports overflow. I too will be leaving in a few weeks for Friuli, my homeland. A place that overtourism hasn't discovered yet - crystal clear and fresh waters, mountain trails where the only traffic is cows, taverns where you don't need to book three months in advance. It's the great summer exodus, the one that transforms us every year from citizens into tourists, from critical observers of overtourism into its unwitting protagonists. It's...

I never wanted to be a director. Really. I was studying cinema at university, but it felt distant, unreachable. Then came music videos. And something clicked. Growing up, I fell in love with subcultures: photography, music, illustration, graphic design. Those images had incredible expressive power. A creative energy that captivated me. It was visceral, authentic. I started exploring all those visual languages until I found my own. Spoiler: it took a while. I like to let my imagination run...

AIDA: let's talk about the future I spent a year alongside a group of young researchers from Politecnico di Milano who are developing and testing autonomous vehicles. From this experience, AIDA was born—a 55-minute documentary I wrote and directed, which I’ve just presented at the Royal Palace of Caserta. And I’m really happy to share the trailer with you, as a preview. When they asked me to tell their story, I was instantly intrigued. I thought: why aren’t these cars already driving through...

How to use AI without losing your soul As the world fills up with AI-generated everything, I’ve spent the winter on stage and with a pen in hand. Why? I use AI too. I’m using it right now to reflect and structure these ideas. But I use it as an accelerator, not as a creator. It’s time to stop feeling guilty about it and start thinking more critically about how we integrate AI into our creativity. What does it mean to find your own voice in an era where AI can write for you, generate images,...